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Hamilton, Richard. Sandycove, 1988. An illustration of Stephen's expedition across the Sandymount Strand in the "Proteus" episode of Ulysses, by Richard Hamilton. The illustration is one of eighteen intaglio prints produced by Hamilton inspired by Ulysses; one for each episode of the novel.
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Arroyo, Eduardo. Ulysses, 2022. An illustration from the centennial edition of Ulysses, by Spanish artist Eduardo Arroyo. Arroyo employed various techniques, including collage, ink, and watercolour, to evoke the abstracted Dublin of Joyce's novel. Arroyo's work was originally concocted in 1991, with the intention of producing an illustrated edition commemorating the fiftieth anniversary of Joyce's death. Due to rejection of the edition by the author's grandson, Stephen Joyce, publication was withheld. However, Arroyo continued to work on the edition, which remained one of his dearest projects into his final years, and was finally published posthumously in 2022, four years following the illustrator's death.
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Motherwell, Robert. Ulysses, 1947. Painting by Robert Motherwell, entitled after Joyce's novel. The work dates from early in Motherwell's career, painted onto a piece of cardboard attached to part of a wooden crate. Motherwell first read Ulysses while travelling through Europe 1935. Affected by Joyce's style, particularly the stream-of-consciousness guiding artistic expression through innermost thoughts and feelings, Motherwell forever return to Ulysses for creative motivation. He eventually took on the entire novel in a 1980s illustrated edition.
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Matisse, Henri. Ulysses, 1935. Illustration for the 1935 edition of Ulysses by Henri Matisse, commissioned by Joyce. Much to Joyce's chagrin, Matisse's illustrations do not depict the world of Joyce's novel. Matisse was, instead, compelled to produce scenes from the Calypso, Aelous, Cyclops, Nausicaa, Circe, and Ithaca episodes of the novel's source, Homer's Odyssey.
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A Topographical Guide to James Joyce's Ulysses Map V - “Calypso”, the second half of “Hades”, “Wandering Rocks”, and “Ithaca”
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Dedalus on the Shore Fig.1 Photograph of a fragment from watercolour painting Dedalus on the Shore(2016) by Victoria artist Robert Amos. A rendering of the shadow of Stephen Dedalus, in the "Proteus" episode of James Joyce's Uysses.
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Dedalus on the Shore Fig. 4 Photograph of a fragment from watercolour painting Dedalus on the Shore(2016) by Victoria artist Robert Amos. Pictures flecks of blue watercolour paint on page, accompanied by quotation from the "Proteus" episode of James Joyce's Ulysses. It reads, "signs on a white field."
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Dedalus on the Shore Fig. 3 Photograph of a fragment from watercolour painting Dedalus on the Shore(2016) by Victoria artist Robert Amos. Pictures rendering of the shadow of Stephen Dedalus twice, once in blue, once in purple, indicating figure movement along the page. Accompanied by quotation from the "Proteus" episode of James Joyce's Ulysses. It reads, "would it be mine form of my form?"
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Dedalus on the Shore Fig. 2 Photograph of a fragment from watercolour painting Dedalus on the Shore(2016) by Victoria artist Robert Amos. Pictures a close-up of a rendering of the shadow of Stephen Dedalus, accompanied by quotations from the "Proteus" episode of James Joyce's Ulysses. It reads, "I throw this shadow from me manshape ineluctable."
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Bloom (2003) Bloom (2003) is the second film adaption of Joyce's novel directed by Sean Walsh
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Victoria Daily Colonist - "Two Victoria Students Take Top Honours In Matriculation Exams for Province" A screenshot of an excerpt of an archived copy of The Victoria Daily Colonist article "Two Victoria Students Take Top Honours In Matriculation Exams for Province". The excerpt contains an image of Patricia Jean Carstens and highlights her coming in second in the province for university entrance exams.
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Victoria Daily Colonist - "Prizes Awarded to Beautiful Babies at Home Products Fair" A screenshot of an excerpt of an archived copy of The Victoria Daily Colonist article "Prizes Awarded to Beautiful Babies at Home Products Fair". The excerpt highlights the prize won by Patricia Jean Carstens.
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Victoria Daily Colonist - "Housewife Returns to Class" A screenshot of an archived copy of The Victoria Daily Colonist article "Housewife Returns to Class"
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Curse the Britannic Aesthete A picture of page 15 of Blast magazine, published in 1914.
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Blast First England A picture of page 11 of Blast magazine, published in 1914.
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Our Vortex by Wyndham Lewis A picture of page 147 of Blast magazine, published in 1914.
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Plan of War by Wyndham Lewis A picture of an abstract painting by Wyndham Lewis contained in the magazine Blast, published in 1914.
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Slow Attack by Wyndham Lewis A picture of an abstract painting by Wyndham Lewis contained in the magazine Blast, published in 1914.
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Portrait of an Englishwoman by Wyndham Lewis A picture of an abstract painting by Wyndham Lewis contained in the magazine Blast, published in 1914.
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First Page of the Vorticist Manifesto A picture of the first page of the Vorticist Manifesto, contained within Blast no. 1 (1914).
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The Little Review Contents Scan of the table of contents of the March 1918 edition of The Little Review little magazine
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The Little Review on Joyce Scan of the second page of the March 1918 edition of The Little Review little magazine in which the magazine promotes works by James Joyce
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The Little Review's Call for New Subscribers A scan of page 64 of the March 1918 edition of The Little Review little magazine asking current subscribers to help reach new subscribers
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First Page of Ulysses in The Little Review Scan of the first page of Ulysses in the March 1918 edition of The Little Review (page three)
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The Symbols of Genetic Criticism