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Shalini Le Gall is Chief Curator and Director of Academic Engagement at the Portland Museum of Art.
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J. M. Whistler's "The Fleet: Monitors" “The Fleet: Monitors” from James McNeill Whistler’s “Jubilee Set” portrays the naval review of Queen Victoria’s 1887 Jubilee and five onlookers. The etching, completed in black ink on laid ivory paper, uses broken lines to outline an array of steam-powered ships with tall masts in the background. Additional ships are depicted with less detail on the left-hand side. Minimal linework suggests the forms of a few clouds in the sky as well as waves in the river. Four men and one woman stand in the left foreground and they all lack facial detail. The woman wears a sunhat and is looking towards the naval display. The first man from the left wears a hat and has a moustache; the second wears a hat and is reading a book; the third and fourth are also wearing hats and are drawn with the least amount of detail. All four men face the foreground, looking away from the ships that make up the background of the etching. The etching as a whole is dominated by negative space, punctuated by thin, spare lines. The paper is textured, and the print featured here, from the collection of the Art Institute of Chicago, has slight discolouration around the edges. Some unevenness in the print tone is evident on the left side of the etching. Relatively small, the print is 14.3 by 22.1 centimetres, or 5.6 by 8.7 inches.